1817, now

Jun. 16th, 2014 08:41 am
chocolatepot: Ed and Stede (Default)
Okay, here's an odd thing. I concluded in my thesis based on a lot of sources that French and English fashion divided during the Napoleonic Wars, and so far I think that's probably still true. But based on only a couple of sources (no American fashion plates = harder to research specifically American fashion trends) I decided that American dress followed English during that period ... but based on the two patterns I've done since that, it looks like American dress probably followed French. Although probably by the time I exhaustively go through La Belle Assemblée again I'll discover I was wrong about English dress as well.

Basically everything I concluded in my thesis I've discovered is wrong by now, btw. And the outfit I made for it doesn't fit well, either. /o\ (Also, it has giant yellowed blotches up and down the skirt, no clue how they got there, did I mention I took Advanced Conservation I?)

I have so nothing to talk about these days because all I do is watch old SVU and save fashion plates to my hard drive. Over a thousand by now, btw. Hey, but this episode mentioned that the victim's parents live in "a small town near Saratoga"!

DONE

Apr. 6th, 2012 11:09 pm
chocolatepot: Ed and Stede (Default)
THESIS

FORMATTING

AND

EDITING

FINISHED

FOREVER
chocolatepot: Ed and Stede (Default)
All I have to do is make my list of illustrations, then look at the edits for my abstract and make sure all my formatting is right. Unfortunately I think I need to rewrite most of my captions as I have no clue what formula I'm supposed to follow.

They want to interview me at the Chapman!

World debut of Eleanor tonight. If it somehow ends up on Youtube I promise to link to it.

Huh

Mar. 22nd, 2012 11:03 pm
chocolatepot: Ed and Stede (Default)
I'm going through and setting up all of my illustrations, but really, I seem to have done all of the textual edits already, apart from a couple. This is exceptionally wonderful.
chocolatepot: Ed and Stede (Default)
I know I promised a proper post back on Christmas, but that never really happened, did it. I've been in full-on thesis mode, writing a (crappy) conclusion and fixing my citations because there is something wrong with me and when I write I do these horrible, abbreviated citations - sometimes with most of the information there, sometimes with the initials of the book and a page number, sometimes with "find a source for this". For example, I indicated Fashion from Fashion Plates quite sensibly with "FtFP" and did not spend half an hour working it out yesterday.

I watched Kate Beckinsale's Emma for the first time while gathering the bottoms of my dress's sleeves and realized that I find Frank and Jane extremely interesting. I want to read a good book/fic about their relationship now. Sadly I don't remember Joan Aiken's as being that good. The secret correspondence, the arguments, the way he's a dick but she loves him anyway ...

Excite

Nov. 9th, 2011 09:06 pm
chocolatepot: Ed and Stede (Default)
For those who wanted pictures of my thesis project - I have a few from several days ago, before I put the sleeves on (the ones you see there are actually the sleeves of my shift).

Still obsessed with the stays I saw at Cherry Hill yesterday. They're amazing. I rambled about them on the other blog - two layers of unbleached linen with the seam allowances sandwiched in, so that when they're butted together and whipstitched everything is all neat and there's no need for a lining. And apart from the neatness, I think it's got to be way easier to make sure you get all of the layers in your whipstitches than when you turn all of the seam allowances over to one side. You could do it with a fashion fabric on the outside as well, but I kind of like the spare look with just the strength layers.

We don't really have a community theater program in Greenwich, because it's a small town and Schuylerville has one right next door, but we do have some theater. A while ago one woman wrote and directed a musical about Queen Esther, and now she's doing one about Eleanor Roosevelt. The press release said she needed someone to take charge of the costumes, and I think that someone could be me. It wouldn't pay anything, of course, but it might look good on a resume for working with people and sewing.

what a time

Nov. 5th, 2011 06:24 pm
chocolatepot: Ed and Stede (Default)
(Everyone's off doing NaNo, aren't they.)

Over the past couple of days I've been sewing hardcore on my thesis project, making lots of headway. This morning I put it all on and BAM I look fantastic. (With a little imagination, as it's not totally finished. No sleeves.) There is exactly enough fabric between the underbust and neckline drawstrings, and the pleating on the back comes to exactly the right point. Even without a petticoat, you can see the billowy pre-Regency shape. I'm pretty proud of how it's coming out, especially given that it's all without a pattern. I do plan to chart the pattern for the paper, and I probably should have done it earlier, when I could spread the pieces out, but without sewing certain parts into place I couldn't be certain that what needed to come after was right.

This is teaching me that I need to get a couple of pairs of pantyhose and some batting and bulk out my dress form, because it's not as busty as I am and that's given me a few !!! moments. Fortunately everything's worked out, but it'd be really nice to turn it into a proper double for the next time I go to drape something. Something with my cup size, at least. And waistline. Especially waistline. Height-wise, I mean.

I've had to mess with my stays - just the cups, I'd gathered them too much so they were basically flat. Unfortunately, I don't think it's possible for me to use this style to achieve actual cups? Even fixing the gathering, it's forming more of a naturalish curve rather than actually filling the cups. It's like ... I need the cut-out bits to be bigger than they can physically be. How do I wear bras? I don't understand it. I don't think this is terrible, I'm fairly sure some women wore stays with gathery-soft bits that didn't quite work just like bras, based on paintings and things. (A bigger problem is the way the front edges kind of curve out due to the reed. Not sure what to do about that, except maybe de-bind them a bit and put a second reed in each channel, curving the other way.) But it would have been nice to create something that worked properly. I did make short stays one time that worked very well, but they used the Regency gussets technique that I've never actually seen in short stays. And then I spilled tea on them.
chocolatepot: Ed and Stede (Default)
I'm starting to feel more like I belong in the Dance Museum, mainly because they've stopped being like, "give us your expert opinion please," and started being more, "can you just do this?" That sounds bad but I'm much more comfortable with this. It's just easier, because when they're asking me for my expert opinion they're still not really giving me any power, and if I'm not going to have the power to actually change things I'd rather just be useful.

Tomorrow I'm going to Bennington to look at a few historic houses I plan to send resumes to.

Oh well. I did find like a million more paintings of neoclassical dress to look at.

:(

May. 15th, 2011 11:01 pm
chocolatepot: Ed and Stede (Default)
Aw man, how do I manage to always screw things up? I put together the four pieces of the left side of my stays - sewed some of the channels and none of the quilting - and somehow it's just big enough to need taking in while being close enough to my size that taking it in is going to be tricky. I think I'm going to have to sew together the right said and do the lacing eyelets in the front and back to try it on properly and then decide where to adjust them (and where to put the cups, dammit this is so difficult and there aren't enough dress diaries to read).

Argh

May. 13th, 2011 09:57 pm
chocolatepot: Ed and Stede (Default)
That linen canvas? Has a bit of stretch in the weft. The thinnest strand of elastic in the core of the thread. Part of me wants to use it doubled, with one layer cut on the grain and one on the cross, which would deal with it and keep the finished garment from stretching, but, you know, this is my thesis project so I'll save that idea for some other time.

Tomorrow I'll head to Mood and see if I can find anything. It's too bad that I couldn't start on the stays right away, because this evening I scaled up and fitted a muslin that seems to be working. I'm keeping my fingers crossed that I don't screw this up.

!

May. 12th, 2011 10:49 pm
chocolatepot: Ed and Stede ([hist] Catherine of Aragon)
All of the structural sewing and finishing on my shift is done! It fits so perfectly. I know, as far as fitting-perfectly garments go, a shift is not high on the list of priorities, but it really does fit perfectly. I'm doing my initials in counted-thread cross-stitch with a diamond in between on the front and if Parks & Rec did three episodes instead of two tonight I'd be done with that as well. But as it is I have "C ♦" and I'll do the P tomorrow. Pictures forthcoming but for real this time, and I think I might start a dreadfully interesting Facebook album for the whole project since it is my qualifying paper.

Should go to the Parson's graduate symposium tomorrow as it's so close to my apt. but I don't really want to. Maybe I will work on one of my final projects instead so I feel like it was okay to skip it. I am very likely to take a trip to the garment district and see if I find any really good deals on the fabrics I plan to use in the rest of my project: more linen (lining, stays), white cotton (dress, stays), plain or striped taffeta (open robe), wool (spencer), velvet (spencer cuffs/collar). I guess I should try to figure out how much I'll need of each before I go, in case I find something.

I gave in and got regalia and am now going to graduation. /o\ All of us are, it would have looked bad if I was the only one that didn't show.
chocolatepot: Ed and Stede (Default)
Game of Thrones and the Borgias )

Last night I cut out the pieces for my shift and started sewing; unfortunately, I made the sleeves the weensiest bit too tight, so I took them apart and pieced a bit in to make them a little wider. I worked a bit more on that while I watched the above.

Tomorrow I am going to go to the TKTS book at Times Square and get a seat at How to Succeed in Business Without Really Trying, which is a great show in and of itself and also stars DanRad, so. I've been a bit weird-feeling all day, I think because of anticipating the social strain of standing a line for an hour or so and then actually going to an actual show on my own.

Linda Baumgarten* says in What Clothes Reveal that a bride today "might still don a wedding dress with long, full hoopskirts based on fashions of a century earlier" in explaining fossilization of forms in court dress, but I have no idea why. Bridal gowns have always fit what fashion said skirts could do. With English court dress, women wore 1740s hoops for about a century, even when regular dress was tall and slim. That is fossilization. Wedding dresses have basically been regular dresses in white until fairly recently, and you see them all through the 1920s, '30s, and '40s with slender skirts. Anyway. It puzzles me why she used that as an example.

For this month on eMusic, I bought two CDs of music hall/vaudeville songs. They're making me want to go back to the novel I started writing for my first NaNo, which involved a soprano who topped the bill at a small theater in New York, and a comedic stage magician who was actually a real magician and the younger son of a society family. (It may have a been a little influenced by Mairelon the Magician.) I only did three pages (hey, I was a freshman) but in my head it got interesting.

IS THAT MEGAN FOLLOWES ON HOUSE???

* ETA: I knew spelled her name all wrong when I was going to sleep. I was quite tired last night.

STUPID FACE

May. 1st, 2011 11:03 am
chocolatepot: Ed and Stede (Default)
Doctor Who )

I actually made substantial progress on my thesis project last night, I think. I need to make a pair of short stays, but the pair I'm modeling them on is across the ocean and impossible for me to view. So I took the Jill Salen pattern of a pair of brown stays from 1790 and drew it out on my graph paper. The main thing that needs messing with is the length, as the VAM stays don't make it to the waist, so when I drew out the pieces I made the bottom line where the top of the tabs started. Then I scanned in the pattern pieces, c&p'd them so I had both sides, and doubled them to being at 1/4 scale. (And then shrunk them a wee bit to fit on the printer paper.) After I printed them out I cut them out and taped them together into a tiny little adorable paper corset, just to get an idea of how the seams would lie to compare to the VAM ones. I think I will have to do a bit of shape-messing-with as well, as the result is still VERY conical, but that shouldn't be too hard. Since it's not cinching my waist or anything, I think I can check that with just a muslin mock-up, which I might do today. The only trouble I that I can't seem to find my washable marker - I hope I didn't leave it at home.

Took a Claritin. I'm just worse than yesterday, sneezing and itching all over the place.

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