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I can't remember if the books addressed it, but what was Panem going to do for coal after burning down District 12? If a district is so unnecessary that you can get rid of it, why have it in the first place?

Mockingjay Matinee )

One of the authors on Writing Excuses is Mary Robinette Kowal, whose name was totally unfamiliar to me, but she wrote Shades of Milk & Honey. It's weird, because she's the one who hits on some of the things that are most relevant to me (the other authors being more epic and/or actiony in scope), but at the same time it's like, I really disliked that book. I can't remember if I even finished it. It was P&P mashed up with Jane Eyre. I ordered a book of hers she mentioned on the podcast that's a pseudo-historical take on Elizabeth I and Mary Stuart growing up knowing each other, and I ordered it from the library. Normally I have very bad luck (there are 65 libraries in this network, and they are all podunk apparently), but there was one copy, and I've got it. We're hitting some pet peeves by page three, but I'm going to give it a chance.
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Is it weird of me that the main thing about THG that seems to bother everyone else - that Katniss never had to choose to kill someone who didn't "deserve" it - doesn't bother me a bit? Yes, it makes things easier on her than another author could've been. But not only would that have been much darker than YA might allow for, the point of her story is that she was trying to survive rather than win, and that she has a sense of justice.

I mean, it's a game set up to kill children. Plenty of them are said to die from natural factors, sickness, starvation, etc. Annie won by treading water, not by taking out the competition. It's "unrealistic" for Katniss to have played the way she did only in the sense that ASOIAF is especially "realistic" for always having the worst thing happen. It may not be the most likely thing, but it's plausible and possible.

---

I'm now listening to a Yale Open University course on Early Modern England. It's perhaps even better than the Early Middle Ages one, although it might just be that I have a bit more interest and knowledge of this period. (I really wish there were a corresponding High/Late Middle Ages podcast.) I had to take a short break, though, because the discussion of Henry's reign and the Reformation led me to some great thinking re: my own writing, but I got too attached to the comparison and trying to incorporate it as time went on. I had to stop for a while and then come back with it just about history. Protip: deciding that your hero should die youngish so your heroine can be regent for their daughter and she can be a young queen like Elizabeth and do all sorts of stuff after both of your main characters are dead is sort of ghoulish.

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Carrie Underwood is NOT a satisfactory Maria von Trapp. Who cast this and why? OTOH it is amusing to watch this as I still know all the lines.

But they went with the stage show's score instead of the movie, so that's very good.

Later note: she got better as it went on. I don't know why she was so awkward at first.
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Smash 1.08: Wow, this scene with Tom and Derek is really fantastic. Just ... oh my god. That is some amazing acting.

Exhibition is going ... trickily. Not only am I sad about the 18th and 19th century costumes we can't use, some really nice 1920s ones didn't work either. (Too small for child mannequins! FTLOG. Skinny Minnies, as my mother would say.) But I think this version of the fashion room will be more accessible and interesting to casual visitors.

My phone is finally working. That is good.

I am cramping something fierce. That is bad.

Melissa got me a borrowed copy of The Hunger Games )
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I was really surprised at how strongly I got caught up in it, to be honest, as

specifics with spoilers )

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