( Game of Thrones and the Borgias )Last night I cut out the pieces for my shift and started sewing; unfortunately, I made the sleeves the weensiest bit too tight, so I took them apart and pieced a bit in to make them a little wider. I worked a bit more on that while I watched the above.
Tomorrow I am going to go to the TKTS book at Times Square and get a seat at
How to Succeed in Business Without Really Trying, which is a great show in and of itself and also stars DanRad, so. I've been a bit weird-feeling all day, I think because of anticipating the social strain of standing a line for an hour or so and then actually going to an actual show on my own.
Linda Baumgarten* says in
What Clothes Reveal that a bride today "might still don a wedding dress with long, full hoopskirts based on fashions of a century earlier" in explaining fossilization of forms in court dress, but I have no idea why. Bridal gowns have always fit what fashion said skirts could do. With English court dress, women wore 1740s hoops for about a century, even when regular dress was tall and slim.
That is fossilization. Wedding dresses have basically been regular dresses in white until fairly recently, and you see them all through the 1920s, '30s, and '40s with slender skirts. Anyway. It puzzles me why she used that as an example.
For this month on eMusic, I bought two CDs of music hall/vaudeville songs. They're making me want to go back to the novel I started writing for my first NaNo, which involved a soprano who topped the bill at a small theater in New York, and a comedic stage magician who was
actually a real magician and the younger son of a society family. (It may have a been a little influenced by
Mairelon the Magician.) I only did three pages (hey, I was a freshman) but in my head it got interesting.
IS THAT MEGAN FOLLOWES ON HOUSE???
* ETA: I knew spelled her name all wrong when I was going to sleep. I was quite tired last night.